Review: Aquaman #5

By: Miguel Acedo

One of the great story situations in any medium is the one about the proverbial fish out of water. The story potential is limitless. The same can be said for the talents of writer Geoff Johns and artist Ivan Reis.

It is worth noting that Geoff Johns’ writing has evolved since The New 52 launched. His much concerted effort to stray away from a dependency of captions in favor of externalizing the internal of his characters is evident in his more immediate, cinematic storytelling, which is perfect for Reis’ widescreen filmic panels and composition.

As good as Johns is at modernizing classic characters and concepts, Reis elevates Aquaman to new heights. Reis’ art is as grand as it is minimal. His ability to effectively render tight panels is the perfect compliment and juxtaposition to his imagination-capturing splash pages.

If this issue does one thing it is that it teases the scope and scale of the tale Johns wishes to tell more that the initial story arc did. Now that he has reintroduced the character to the world, Johns seems to be building toward a monumental run that may one day rival any of his past works.

For those readers still reluctant to give Aquaman a shot, and for those who refuse to root for the title character, this book is the remedy. If all you see is a boring character, rather than a character exuding majesty, then you just don’t get it. For the sake of great storytelling, skillful writing, and beautiful art, let’s hope you do.